Snorghs, Sailors, Philosophy and Mood

Snorghs, Sailors, Philosophy and Mood

With apologies for cross-posting from my personal website; but I’m very pleased to have received this morning two copies of the Spring Issue of Interdisciplinary Humanities journal, which includes my essay on “What the Snorgh Taught me about Emmanuel Levinas”. It’s a fairly personal essay/paper about the questions around children’s literature, creative writing, research and philosophy. The paper started out when I began to realise that the process of writing my children’s book, The Snorgh and the Sailor was (whatever Martin Amis might say about children’s literature) one that fed back into my philosophical writing, opening up new questions and lines of inquiry.

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Philosophy, children’s literature and the question of branding

Philosophy, children’s literature and the question of branding

A couple of months ago, my children’s book, The Snorgh and the Sailor, was published. It has been one of the most demanding and delightful projects I’ve ever been involved in. Who would have thought that eight hundred words would require quite so much redrafting?

I fell into children’s literature somewhat by mistake, after becoming friends with the illustrator Thomas Docherty. Tom is a wonderful artist, and a lovely man; but when we decided to have a go at working together, I can remember feeling a little apprehensive. Part of the reason was that I was not sure I could write for this age group. Another part of the reason was that I was a writer who spent his time working on philosophy and novels for adults, and I couldn’t really see how writing children’s books fitted in.

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