If I’ve been relatively quiet over the past week or so, the main reason for this is that I’ve had my head down, seated here at my desk in Albi, France, and I’ve been editing like crazy, working on what I hope is the penultimate draft of my novel Goat Music. I’m here for two weeks, and so I’m more or less half way through; and it’s been a productive stay so far—I’m on track, I think, to have the draft done by the time I catch the train home next Saturday, which means that I can get an early copy to my publisher some time soon after.
I thought I’d say a bit more about the book here. The novel arose out of a fascination with the story of the musical contest between Apollo and Marsyas that began back when I was an art student. Set in mythological Greece, it plays on the story of the satyr’s competition with the god. The myth, in brief, goes like this: Marsyas challenges Apollo to a contest in music; Apollo wins by means of tactics that are not entirely fair; and then, having won, he flays the satyr alive for his presumption in challenging the gods.
My unease with this story lies in the fact that, for much of European history—although Apollo wins the contest by what could be called unfair means, and then exacts the most horrible punishment by flaying satyr alive—the tendency amongst commentators has been to side with Apollo, to see Marsyas as a fool who was justly defeated, and to proclaim Apollo’s brutality as a victory for all that is good.Read More